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• 1877 · The Art Institute of Chicago Arrival of the Normandy Train, Gare Saint-Lazare, 1877: Steam Turned Into Weather Under Glass Arrival of the Normandy Train, Gare Saint-Lazare is an oil on canvas Claude Monet painted in 1877, now held by the Art Institute of… Read the painting story
• 1873 · High Museum of Art Autumn on the Seine, Argenteuil Autumn on a river lasts about three weeks. The leaves turn, and for a short stretch the bank runs gold and rust and copper,… Read the painting story
• 1876 Bridge at Argenteuil on a Gray Day There is no sun in this picture and that is the point. The river is pewter. The sky is a low lid. The far… Read the painting story
• 1899 · The Metropolitan Museum of Art, New York Bridge over a Pond of Water Lilies, 1899: The Bridge, the Planting and the Water Bridge over a Pond of Water Lilies is an oil on canvas Claude Monet painted in 1899, a vertical canvas measuring 36 1/2 by… Read the painting story
• 1876 · The Metropolitan Museum of Art, New York Camille in the Garden at Argenteuil, 1876: Among Hollyhocks In Claude Monet’s Camille Monet in the Garden at Argenteuil, a woman in a pale blue-grey dress stands at the left beside a tree.… Read the painting story
• 1867 · The Metropolitan Museum of Art, New York Garden at Sainte-Adresse: Four Figures Between Flowers and Sea Four figures occupy the garden terrace in Claude Monet’s Garden at Sainte-Adresse. Two stand near the railing, while two sit closer to the foreground.… Read the painting story
• 1888 · Cleveland Museum of Art Gardener’s House at Antibes: The Light That Nearly Beat Him By eleven in the morning at Antibes in early spring the light has stopped behaving the way northern light behaves. It does not describe… Read the painting story
• 1908 · Nantes Museum of Arts Gondola in Venice A lagoon gives a painter two light sources and no solid ground. One comes down from the sky, thin and silvered in October. The… Read the painting story
• 1889 · Tel Aviv Museum of Art Grainstack at Giverny: Why He Chose the Least Interesting Thing in the Field A field at the end of a working day in late summer. The stubble is sharp and pale and still holds the heat of… Read the painting story
• 1890 · Hill-Stead Museum Grainstacks, in Bright Sunlight Midday is supposed to be the worst possible hour for a landscape painter. The sun is overhead, shadows shrink to almost nothing, form flattens… Read the painting story
• 1884-1889 · Pushkin Museum of Fine Arts Haystack near Giverny Wet grass at seven in the morning soaks a man to the knee within twenty paces. Add the weight of a canvas, a box… Read the painting story
• 1891 · The Metropolitan Museum of Art, New York Haystacks (Effect of Snow and Sun), 1891: Light on Straw and Violet Shadows Haystacks (Effect of Snow and Sun) is an oil on canvas Claude Monet painted in 1891, now held by The Metropolitan Museum of Art… Read the painting story
• 1891 · Musée d'Orsay Haystacks, End of Summer Go and stand next to one of these things and the first surprise is the size. A grainstack of this kind is not a… Read the painting story
• 1891 · National Galleries Scotland Haystacks: Snow Effect Cold is the part nobody paints. It is in this picture anyway, in a way you can feel before you can explain it. Read the painting story
• 1900-1901 · The Art Institute of Chicago Houses of Parliament, London, 1900-01: The Fog He Came Back For He wanted the fog. That is the part people find hardest to believe. Visitors to London in 1900 complained about the winter air as… Read the painting story
• 1882 · Cleveland Museum of Art Low Tide at Pourville: Painting a Landscape the Sea Was About to Take Back When the tide goes out at Pourville it takes the sea a long way with it and leaves behind something that is neither land… Read the painting story
• 1884 · The Metropolitan Museum of Art, New York Palm Trees at Bordighera: Fronds Below the Alps Claude Monet painted Palm Trees at Bordighera in 1884. Dark palm fronds spread across the foreground, with taller crowns rising into a view of… Read the painting story
• 1891 · Dallas Museum of Art Poplars, Pink Effect The wind has dropped. That is the first thing to know about this canvas, and everything else follows from it. Read the painting story
• 1892 · Pushkin Museum of Fine Arts Rouen Cathedral, End of the Day The last light of a day does not fade evenly off a building. It climbs. The street goes blue first, then the portals, then… Read the painting story
• 1893 · Pushkin Museum of Fine Arts Rouen Cathedral, Portal and Tower d’Albane, Midday Noon is the enemy of anyone who draws with light. Early and late, the sun stands low and rakes across a building, digging out… Read the painting story
• 1892 · Musée d'Orsay Rouen Cathedral, Portal, Cloudy Weather Imagine a small rented room on an upper floor, a chair, a stack of canvases against the wall, and a window filled entirely by… Read the painting story
• 1894 · J. Paul Getty Museum Rouen Cathedral, Portal, Morning Light Picture the studio rather than the cathedral. It is 1894, and the walls of the room are lined with paintings of the same building.… Read the painting story
• 1894 · The Metropolitan Museum of Art, New York Rouen Cathedral: The Portal (Sunlight), 1894: Pale Stone Under a Blue Sky Claude Monet’s Rouen Cathedral: The Portal (Sunlight) fills a tall canvas with pale carved stone. Blue sky opens above the central facade, between its… Read the painting story
• 1882 · Tokyo Fuji Art Museum Seashore and Cliffs of Pourville in the Morning Wind is the enemy nobody mentions. A stretched canvas on an easel is a sail, and on an exposed cliff path in the morning… Read the painting story
• 1875 · The Nelson-Atkins Museum of Art Snow Effect at Argenteuil: Nothing in This Painting Is White Snow has been down for days and the town has stopped looking like itself. The road is a soft trough between banks. Roofs have… Read the painting story
• 1873 · J. Paul Getty Museum Sunrise (Marine) To paint a sunrise you have to lose the night. That means the walk down to the water in the dark, the cold that… Read the painting story
• 1867 · The Art Institute of Chicago The Beach at Sainte-Adresse: The Summer He Could Not Afford to Leave Come down onto the shingle at Sainte-Adresse on a grey morning and the first thing you notice is the sound. The Channel does not… Read the painting story
• 1865 · The Metropolitan Museum of Art, New York The Bodmer Oak, 1865: Branches Above a Russet Forest Floor A broad oak spreads across Claude Monet’s The Bodmer Oak, Fontainebleau Forest. Its trunk stands to the right of centre, dividing into limbs that… Read the painting story
• 1874 The Bridge at Argenteuil A flat-bottomed boat with a small cabin sits moored on the river, and a man is working in it. He has a canvas propped… Read the painting story
• 1883 · The Metropolitan Museum of Art, New York The Manneporte (Etretat), 1883: Two Figures Beneath the Arch Two tiny figures appear on the rocks beneath the left side of the arch in Claude Monet's The Manneporte (Etretat). They are easy to… Read the painting story
• 1882 · Kunstmuseum Den Haag The Nets in Pourville The wind on that coast does not gust; it leans. It comes off the sea in a steady push that flattens the grass on… Read the painting story
• 1914-1926 · Musée de l'Orangerie The Water Lilies: Clear Morning with Willows The first hour of light at Giverny is cold. Mist sits on the surface of the pond in a low sheet, the willows drip… Read the painting story
• 1914-1926 · Musée de l'Orangerie The Water Lilies: Green Reflections Stand at the edge of a still pond in the middle of a hot afternoon and look straight down. There is a moment, once… Read the painting story
• 1914-1926 · Musée de l'Orangerie The Water Lilies: Morning Most paintings are objects you look at. This one was designed to be a place you stand inside. The Morning panels are part of… Read the painting story
• 1914-1926 · Musée de l'Orangerie The Water Lilies: Setting Sun The last twenty minutes of daylight are the cruellest thing a landscape painter can choose to work on. The colour arrives all at once,… Read the painting story
• 1914-1926 · Musée de l'Orangerie The Water Lilies: The Two Willows In the winter of 1920 the largest room at Giverny was not built for living in. It was a shed with a glass roof… Read the painting story
• 1914-1926 · Musée de l'Orangerie The Water Lilies: Tree Reflections Late in the day, when the sun has dropped behind the trees but the sky above is still bright, a pond does something strange.… Read the painting story
• 1908 · The Art Institute of Chicago Venice, Palazzo Dario, 1908: Marble Above Blue-Green Water Claude Monet’s Venice, Palazzo Dario brings the palace facade close to the water. Pale pink and cream walls fill the upper part of the… Read the painting story
• 1915-1926 · The Nelson-Atkins Museum of Art Water Lilies Stand in front of this canvas and try to work out where you are standing. There is no bank. There is no far shore,… Read the painting story
• 1908 · Tokyo Fuji Art Museum Water Lilies (1908) Picture a flat-bottomed boat tied at the edge of a pond on a July morning, and a man of sixty-seven sitting in it with… Read the painting story
• 1916 · National Museum of Western Art Water Lilies (1916) In 1916 an old man had a building put up in his garden. It was large, plain and industrial, glazed along one side, and… Read the painting story
• 1915 · Cleveland Museum of Art Water Lilies (Agapanthus): A Pond He Built, Then Painted for Thirty Years Stand at the edge of a still pond in the middle of the morning and look straight down into it. You lose your footing… Read the painting story
• 1907 · Museum of Fine Arts, Houston Water Lilies (Nympheas) Ask what a pond looks like and most people describe a thing with edges: a bank, some reeds, trees behind, sky above. Now try… Read the painting story
• 1916-1919 · The Metropolitan Museum of Art, New York Water Lilies at the Met: Red Flowers Across a Dark Pond Monet's Water Lilies, dated 1916-1919, shows blue-green pads and red flowers against dark water crossed by pale reflections. The pond fills the picture from… Read the painting story
• 1919 · Tel Aviv Museum of Art Water Lily Pond Stand at the edge of a pond in high summer and look straight down into it, and you will find that you cannot decide… Read the painting story
• 1903 · The Art Institute of Chicago Waterloo Bridge, Sunlight Effect: Violet Arches in the Haze A long bridge crosses Claude Monet’s Waterloo Bridge, Sunlight Effect, its arches painted in violet and blue. Small marks of yellow, red and pale… Read the painting story
• 1891 · Musée d'Orsay Wind Effect, Row of Poplars There is a kind of morning on the Epte when the air cannot make up its mind. The river lies flat and slow against… Read the painting story
• 1871 · Van Gogh Museum Windmills near Zaandam Imagine arriving in a country where the horizon is a ruled line. No hills to interrupt it, no valley to close it off, nothing… Read the painting story
• 1886 · Department of Paintings of the Louvre Woman with a Parasol, Facing Left: The Face He Chose Not to Paint Stand at the bottom of a small rise on a windy day and look up at somebody standing on top of it. You will… Read the painting story
• 1875 · National Gallery of Art, Washington Woman with a Parasol, Madame Monet and Her Son: Camille High on the Slope, Jean Low in the Grass Claude Monet painted Woman with a Parasol, Madame Monet and Her Son in 1875, an oil on canvas measuring 100 x 81 cm and… Read the painting story